Fjære is out!

Espen Berg Trio’s new album, Fjære, was released on May 20th 2022! You can find it on your favorite streaming service, or check out this link:

Big thanks to Odin Records and Propeller Music Division for working with us on this new recording, and also to our fantastic guest artists: Mathias Eick, Silje Nergaard and Hanna Paulsberg. The beautiful artwork was drawn by my brother, Andreas Berg.

Here are some quotes from the press reviews:

Espen Berg Trio is and has a voice that is completely unique, which is only getting stronger and stronger. The most recent confirmation is called Fjære and is a true pleasure.

Nettavisen (NO), rating 5/6

Piano, bass and drums work so cohesively together that they’re like three parts of the same brain, all working together in harmony. […] Great music well worth checking out.

UKVibe, Mike Gates, rating 4/5

Their music is characteristic of northern European jazzmen who know how to set a mood beautifully. Travel and change of scenery guaranteed!

France Info, Radio France (FR)

Let’s salute the quality of Espen Berg’s compositions as much as his piano playing and let us immerse ourselves in an album full of sweetness and freshness.

Jazznicknames (FR)

This album highlights the strengths of this working trio and the inspiring ways that distinct and strong melodies are translated into profound and playful dynamics that make this collective much stronger than its parts., Eyal Hareuveni

The surplus possessed by these three musicians makes the complex and heavy compositions easy for the listener to follow.

Jazznytt (NO)

All in all, Fjære is an excellent album

Dag og Tid (NO)

A new classic

Morgenbladet (NO)

The Trondheim Concert – Part V

November 13th I played a very special solo concert at Dokkhuset, Trondheim. This exclusively all improvised concert was a live recording, and also a five camera video production. I hired some of the best light and sound engineers in Norway to set up the perfect conditions for an immersive experience for a packed Dokkhuset, and the result got just as good as I hoped for. Here’s a part of the concert, and the rest will be released as more videos and a full album in 2020:

EBT – Free to Play – review highlights

The reviews are in! Top image shows that F2P were chosen as one of the top jazz albums of September by Mezzo (FR). Here’s some highlights from some of our many reviews so far:

Undoubtedly one of my favourite albums of this year, “Free To Play” is a richly rewarding experience, from a trio who are proving to be not just one of the best in their field of music, but also beyond boundaries. Fabulous music that I have a feeling Iʼll be enjoying for many years to come.

UK Vibe, Oct 2019 – 5 out of 5 stars

Like all the best music, this album reveals something new and pleasing on each successive hearing.

BBC Music Magazine (UK), Oct 2019 – 4 out of 5 stars

Free to Play, a perfect title for the Espen Berg Trio’s new recording, doesn’t mean that the group plays nice. It suggests that the band takes pleasure in its inspiring interplay.

Downbeat (US), Dec 2019 – 4 out of 5 stars

EBT are rapidly becoming an important new voice in a crowded field of post-E.S.T. trios, and while their two preceding albums have much to recommend them, on Free To Play the trio have really hit their creative stride.

Jazz Journal (UK) – 4 out of 5 stars

Free to Play immediately places itself with instant proximity to the top of the list of the best Norwegian jazz albums ever.

Jazznytt (NO), Sept 2019

On ‘Free to Play’ the Espen Berg Trio shows off its skills with catchy compositions and virtuoso improvisations and also shows that it is looking ahead.

Jazzenso (NL), Sept 2019

This third album of the trio confirms the qualities already observed: an original approach to melody and harmony, a “journey without end and without borders” where everyone enjoys the freedom evoked by the title.

Jazz Magazine (FR), Sept 2019

Espen Berg and his accomplices stand out, however, from many artists from Scandinavia in that they play music which is extroverted and always accessible. But we all know what simplicity hides: a lot of discipline and precise details that allow Berg to alternate between the fluent music and the colliding music with a certain mastery. And that’s what gives this recording its particular brilliance.

Culture Jazz (FR), Sept 2019